The Mythology of Ancient Magus’ Bride: Part 2 [REPOST]

magusbride

This blog post was originally published on my other blog, Bloom Reviews, on January 26, 2018. It examines one of my favorite manga series and the types of mythology or folklore that the author uses to construct the world and characters. Its a very intriguing series for those of us who love seeing how authors use real-life legends to create interesting stories. So, I decided to give my readers on that blog an in-depth look into the world behind the manga’s story. This is the second of a series delving into a bunch of different instances. I figured that practitioners and followers of witchcraft, paganism, or new age practices would appreciate a different look at how mythology can be used in a medium like manga.

Welcome back to another installment of my new multi-part series where we look at the mythology behind Ancient Magus’ Bride. Throughout the series, we’ll be looking at both the origins of some of these characters as well as how their portrayals differ from the myth. As a general rule, each post will cover six new pieces of folklore and mythology, so if I’ve missed something, don’t be alarmed! I will most likely get around to it in a future installment. However, if you want to make sure I cover something, feel free to leave me a comment below or even tweet at me (link to my Twitter in the sidebar). Today, we’ll be covering some of the most interesting tidbits from the show and manga: my theories on the origins of Elias, the legend of Cartaphilus, the story behind the king of the cats, Silky’s dual history, the mythology behind Leanan Sidhe, and the history of changelings. As usual, I’ll provide links to all my sources, so feel free to click through them to learn more. Enjoy!

Continue reading The Mythology of Ancient Magus’ Bride: Part 2 [REPOST]

Why The Good Witch Is an Important Show for New Age Practitioners

How witches have been displayed in the modern media has been a contentious issue among modern Neo-Pagans and witches alike. There have been a ton of shows and movies that have tackled the witch as a character, some good, some bad, and some very comical. Seeing yourself reflected in the media you consume is an important part of how we all interact with or feel about media, whether it be TV shows, movies, books, or comics. It’s been a contentious issue within the discussion around how people of color are represented, and I think it’s an equally valid discussion to have around how pagans and practitioners of conventionally non-abrahamic religions are represented. Over the years, there have been various revivals and years where we see more interest played towards the supernatural and that eventually makes into our modern media. I think these last couple decades have definitely been another kind of revival of a sorts, if a slow burn kind of one. The Good Witch is a great example of this modern revival and the kind of show that really makes an effort to discuss and display New Age thoughts and magic in a positive light for its viewers. 

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The Influence of The Craft on Modern Neo-Pagansim

The 90s was an especially influential year for the spread and development of modern neo-paganism to the point where I would label it as a third-wave (the first being in the early 19th century and the second in the 60s hippie era). This decade coincided with a lot of things that really helped boost the presence of new belief systems and especially the visibility of Wicca as a religion. First and foremost being the internet. The development of the internet, forums, chat rooms, and other means of communication allowed previously secluded practitioners to be able to communicate with others who were practicing, sharing beliefs and rituals with each other. Previously, pagan traditions were passed down through mentors and groups, many of those interested joining finding that there was a barrier of training standing between them and full indoctrination into the belief system of their choice. Or they found relevant information scattered throughout a myriad of books, many of them hard to find or especially secretive about their specific rituals. 

Continue reading The Influence of The Craft on Modern Neo-Pagansim